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Maeghin Mueller is known for her powerful voice, dynamic stage presence, and innate comedic ability. She most recently performed as the Mother in Opera del Sol's Cocaine Bear the Opera at the Orlando Fringe Festival, which was met with rave reviews and won Patron's Pick. Prior to this she completed her second year with the national tour of Lincoln Center's production of My Fair Lady directed by Bartlett Sher and Sami Saltzman. During her tenure on the tour she was first featured in the ensemble as Mrs. Hopkins and then in her second year joined the principal cast as Mrs. Pearce. Kevin T. Baldwin of METRMAG wrote of her performance "Maeghin Mueller as Higgins' lead housekeeper “Mrs. Pearce” maintains a balance between showcasing the character's great sternness for the rules of the master's house, a protective nature and a genuine affection for young Eliza.”  In between her time on the road she played Sophie Tucker in the workshop of Last of the Red Hot Mamas—The Sophie Tucker Story and Desiree Armfeldt in Central Florida Vocal Art's production of A Little Night Music. Joseph Harrison wrote of her performance as Desiree on broadwayworld.com "Every time Maeghin Mueller takes the stage as Desiree Armfeldt, all eyes are on her and it is like all the air has been sucked from the room. Her performance as the famous actress is one that I will not soon forget. Her delivery is boisterous but not over-the-top and she has the audience in the palm of her hand from her very first moments in the show. Her energy is palpable, her presence gravitational, and her delivery of “Send in the Clowns” is an absolute highlight - showstopping and tear-inducing at the same time." 

Prior to My Fair Lady she was a part of the first national tour cast of Emojiland the Musical as the iconic Pile of Poo emoji. Other regional credits include Blanche Barrow in Bonnie and Clyde, Jack’s Mother/Cinderella’s Stepmother/Cinderella’s Mother in an actor/musician production of Into the Woods, Stephanie Necrophorus in Nine the Musical, Colette in La Cage aux Folles, and Woman 1 in the five-time award-winning show F*ckboys the Musical.

 

Trained in the classical arts, Mueller also performs as a professional opera singer. Prior to singing Puccini about a drug-crazed bear, she was the Gingerbread Witch in Hänsel und Gretel and the Lion in the improv opera Carnival of the Animals with the Vienna Summer Music Festival in St. Petersburg, Florida. Additionally she has performed as the 2nd Nymph in Rusalka with Opera Steamboat Opera Artist Institute and as the Duchess in Student Prince with Orlando Light Opera. During her studies at the University of Central Florida she performed as Rosalinde in Die Fledermaus, the Sorceress in Dido and Aeneas, and Ciesca in Gianni Schicchi and Buoso's Ghost. She has been performing with Opera del Sol in immersive concerts, cabarets, and shows since 2017, including as Aloysia in “Mozart’s Muses,” as the Demon Hostess 2 years in a row for the “Creepy Christmas Cabaret,” and even singing opera on swan boat as a soloist in the concert “Opera on Eola.” Also a member of the Opera Orlando chorus, Mueller has performed with them in Pagliacci, Les Contes d’Hoffmann, Don Pasquale, and with the Orlando Philharmonic in L’elisir d’amore.

 

International credits include performing as Woman 4 in F*ckboys the Musical in Melbourne, Australia, as the Abbess in Suor Angelica and Angelica in the world premiere of Scott Joiner’s The Shower with the Vienna Summer Music Festival in Vienna, Austria.

 

No stranger to digital media, she has performed as the Pile of Poo in the proshot of Emojiland the Musical (coming to a streaming service soon), Hope’s sister in the film Anxieties Anonymous, Sabrina in the podcast musical The Chilling Adventures of Rhiannon: Unauthorized Witchy Diaries Told Through the Music of Fleetwood Mac, and is featured as Woman 1 in bonus tracks of the F**kboys the Musical’s cast album.

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"Every time Maeghin Mueller takes the stage as Desiree Armfeldt, all eyes are on her and it is like all the air has been sucked from the room." 
- Joseph Harrison, Broadwayworld.com

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